The other books - "The Sea of Monsters" (2006), "The Titan's Curse" (2007), "The Battle of the Labyrinth" (2008) and "the Last Olympian" (2009) - carry on this plot which culminates in a final battle against the Titans through the streets of New York, where the young demigods take on the foes while the gods have been lured away by a diversionary attack. This is revealed to be the opening gambit in an effort by the Titans, the earlier gods, led by Kronos (or Saturn), to upstage their children and regain power.
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Soon, he and fellow camper Annabeth Chase, a daughter of wisdom goddess Athena, and satyr Grover Underwood have to travel across the US (including down to the Underworld) to foil an insidious conspiracy that could pit the Olympian high trinity - Zeus, Poseidon, and Hades - against each other. He reaches Camp Half Blood where learns he is the son of Poseidon, the sea god. But all changes in a school trip to a museum and his destiny catches up with him one stormy night. He is dyslexic and has ADHD, so is unable to stick in schools and at home, has to contend with an uncouth, abusive stepfather.
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The first "Percy Jackson and the Lightning Thief" (2005) introduces the hero narrating his adventures. The premise is that the Greek gods are now in America with Mount Olympus now high above the UN building in New York as the deities move to a place that is the spiritual hub of Western civilisation.
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Is odysseus a demigod series#
This has been dwelt on here earlier, including a brief overview of Rick Riordan's Percy Jackson series and its subsequent cycle, the Heroes of Olympus series, but both deserves a relook as the latter came to a rousing conclusion last month.īoth the series are not only a modern look at the old myths, but also a unique take on the coming of age genre and also a wry, ironic look at modern life, especially American, through what we may term a "pagan prism". Not only are quest-based fables or epics precursors of modern literature, they are also a rich resource for portraying the human condition as new writers recount and re-interpret them, including in contemporary idiom and sensitivity, as well as serving as a mirror of changing mores when re-told from another perspective, even of those usually originally tarred as the villains.ĭue to various historical and cultural reasons, the Greek pantheon occupies a predominant position - at least for English-language readers - and even after nearly 25 centuries, is still vibrantly alive across a variety of media and language.